Friday, 10 December 2010

Chorus blimey guv!

Photo


I was introduced to Handel’s Messiah many years ago by my primary school teacher who took pleasure in scaring the living daylights out of his pupils by playing the Hallelujah! chorus without warning like a Ninja DJ. Apart from imparting catlike reflexes into my evolving DNA my teacher also left me with a distinct antipathy towards the piece. I think you would too if you had stapled your finger out of fright. But I’m not one to hold grudges (often) and so this Sunday evening I’m passing up my usual Serie A match and travelling to meet the old foe when it's performed by the Orchestra and Chorus of WNO, conducted by Lothar Koenigs (with soloists Laura Mitchell, Patricia Bardon, Robin Tritschler and Darren Jeffrey) at St David’s Hall.

Of course, there are those who have had a less complicated, metallic relationship with the piece, and it’s to them I now address this second paragraph. If you’ve always fancied having a crack at a chorus from The Music That Caused Fright there’s an opportunity for you to do just that on the afternoon of the concert. From 3pm to 5pm WNO are running a Messiah choral workshop for singers of all abilities – from the tuneless to the tuneful. The crescendo of the afternoon’s labours will be a performance at 6.45pm. All they ask is that you possess a ticket for that evening’s concert, have music in your heart and that you call 029 2063 5030 to sign up. But as I’ve posted this so late on a Friday afternoon I’m not sure if anyone will be around to answer the phone. If there is no-one about I’d think the lads and lasses at St David’s Hall might be able to sort something out for you if you got in touch with them.

And in case you're wondering, there are tickets left.

Thursday, 9 December 2010

Met Broadcasts at Cineworld Cardiff - As Long As You Use Them


Anna Netrebko spots my golden locks


Taking a brief break from WNO news I thought people in the Cardiff area would be interested to know that the Met Live in HD Broadcast screenings are once again up and running at Cineworld Cardiff. Anyone who has experienced the screenings will know that they are worth the (admittedly hefty) fee of £15 for adults and £12 for seniors, children and students.

Of course, Cineworld Cardiff will only continue to show the Met broadcasts as long as there are people willing to see them, and unlike other Cineworld Venues that have the whole season available for booking, Cineworld Cardiff appears to be broadcasting on a week-by-week basis. So if you can, grab a bag of popcorn and pop along to keep the broadcasts running – it would be pretty embarrassing if the home city of WNO couldn’t keep hold of their Met broadcasts.

This week’s live broadcast from The Metropolitan Opera House in New York (always wanted to say that) is Verdi’s Don Carlo. Playing in the Italian version I can vouch for Nicholas Hytner’s production being worth the trip out having seen it at the ROH. The cast is remarkably similar to the ROH one with star turns from Marina Poplavskaya (Elisabetta), Ferruccio Furlanetto (Philip II) and WNO’s recent Rigoletto Simon Keenlyside playing Rodrigo. Changes from the ROH cast include Roberto Alagna as Don Carlo, Anna Smirnova (Eboli) and Eric Halvarson (Il Grande Inquisitorrrrrrr). Doors open at 5.00pm.

A taster of what's to come. In Estonian.



Future highlights (for my hair) include the broadcasts of Donizetti’s Lucia di Lammermoor with Natalie Dessay and Joseph Calleja (19th of March 2011), Rossini’s Le Comte Ory with Diana Damrau, Joyce DiDonato and Juan Diego Flórez (9th of April 2011), and a season ending spectacular Wagner’s Die Walküre with Bryn Terfel, Deborah Voigt, Eva-Maria Westbroek, Stephanie Blythe, Hans-Peter König and Jonas Kaufmann (14th of May).

You can find the remainder of the Met Live in HD Broadcast schedule here.

A list of all UK cinemas showing the broadcasts here.

And Met Broadcasts in WNO touring regions below.

(To be on the safe side I suggest you check times and availability with your local cinema)

Aberystwyth
Birmingham
Bristol
Cardigan
Liverpool
Llandudno
Milford Haven
Monmouth
Oxford
Southampton

Wednesday, 8 December 2010

Cheese on Toast Donates Money to WNO


Cheese on toast, the green stuff.


Fundraising can be tricky at the best of times, at the not so best of times it becomes tricky to the power of 5,098,456. Plus infinity. I could offer a Dodgeballesque car washing service all winter long (depending on the state of my knees and frostbite) but I doubt I would raise little more than £2.89 for WNO after deducting tax and the cost of hiring a bucket and sponge, and kitchen foil. Fortunately for WNO they have people who know how to raise some coin, cash, dosh, moolah in ways that avoid rabies shots or developing a case of housemaid’s knee, wicketkeeper’s knee, superglued to the floor by your knees knee...

So what are these ideas? And are they painless to your wallet and knees?

First up there’s easysearch.org.uk. By following the preceding link and this mention of cheese on toast you will be taken to easysearch.org.uk that gathers the results of Yahoo! Bing and Ask.com searches that will, well, I’ll let them tell you what happens:

“Use easysearch every time you search the Web and we'll give 50% of the fees paid by our advertising sponsors to Welsh National Opera.

Use easysearch instead of Google or any other search engine and you can make a real difference to Welsh National Opera. By making just 10 searches a day with easysearch, you can raise around £20 a year.”

£20 may not sound like much, but depending on the numbers that use it you never know. Anyway, it’s now Hairman’s Preferred Search Engine. To use it all you have to do is either set it up as your homepage or bookmark it.

The second way for you to donate money without actually donating money is by shopping online through easyfundraising.org.uk. Again cheese on toast will take you to a website where, after registering, you will find that your purchases will include a kickback from the sale towards WNO. Again I’ll let the professionals explain:


There’s a comprehensive list of retailers on the site (including Amazon, HMV, iTunes, LOVEFilm), but I’d like to point your way towards Crotchet Classical (I can't hyperlink to pages without signing in I'm afraid), an independent classical retailer, who offer a whopping 5% donation.

As with easysearch.org.uk this will only work if people act together – so why not mention it to your family, friends or even complete strangers who like cheese on toast. But you have to remember that for your purchases to count towards WNO you need to log in every time and follow the links to the retailers on easyfundraising.org.uk otherwise your purchases will not count towards WNO.

Happy surfing and shopping!

Wednesday, 1 December 2010

We're checking our lists...

Erm, forgot where I nabbed the photo from...

If George Clooney ever gave up his day job selling coffee his next move would undoubtedly be into retailing opera companies, and where else would he be more at home than with WNO? I can see him in the twinkle of my eye walking through the doors of the WMC to the tune of La donna è mobile*, suited and booted, dancing a smile as he elegantly climbs the stairs, fending off throngs of worshippers.

But until George follows his destiny and glides along to The Armadillo on the Bay it falls to me, a man with hair, to try and fill his mighty shoes. Unlike George, I haven’t got John Malkovich to back me up, but you never know – he was once spotted on the streets of Cardiff drumming up custom for his hotel. True story. But until George, and John, both show up it falls to me, a man with yada-yada-yada...

So what am I selling today? Technically speaking I am not selling products. My role, as George would undoubtedly agree with me, is as more of a pointing man. I point towards places. This is trickier than you may think, and only after I attended a rigorous Tuesday afternoon pointing seminar was I allowed to go forth and pointify.

The pointing, of course, is mainly with a WNO finger, and in the spirit of the coming season I’ll be Ebeneezering it a little. Now rattle the change in your pocket, we’re going back to the past, which was the future at some time so feel free to hum a bit of Huey Lewis and the News.





Still with me? Good. Switch off the flux capacitor; it tends to overheat even in the coldest weather. We should have landed in the early nineties close to the time of WNO’s Pelléas et Mélisande. This beguiling bit of Debussy will be hitting the Barbican next year with Simon Keenlyside and Natalie Dessay, and if you’ve bought a ticket you might like to refresh your memory of the work with WNO’s hugely successful production that had my Gallic frères and sœurs in egalite ecstasy. Helming the musicals was Pierre Boulez and taking charge of the visuals was Peter Stein. Luckily someone had the idea to film it so you can take a gander at the production that had baguettes wilting in adoration when the production was toured to France. I shall now apologise for lame stereotyping. If it’s any consolation I like leek soup. I often sing for no reason, and one of my grandfathers was a miner.





Sadly 2010 saw too many WNO departures from our blue marvel of a planet, including chorus mezzo Anne Morgan, whom I assume would have sung under the direction of another profound loss, Sir Charles Mackerras, the former Music Director of WNO. He made many recordings with the company, among them Jenufa for the Chandos label. I know it’s not sung in the original language, but sometimes I hang my foibles on the salon coat hanger and take in a different view of the world once in a while.





The holy grail of any opera company is surely the next generation. Yet neither Monty Python, nor Star Trek, ever succeeded in going where no man, woman or flying livestock has gone before - getting kids / young adults interested in opera. Now I can’t guarantee that Operavox (starring WNO and a raft of animators) will spark a lifelong love of opera in anyone who thinks nineteen is old, twenty-one getting on in years, thirty ancient, and forty and above truly historic, but it might be a better way of introducing them to opera than tying them to a chair on Christmas Day and acting out Wagner’s Das Rheingold dressed in a rented He-Man costume and wielding a rusty hoe. The DVD is made of six thirty-minute abridged versions of well known operas including Carmen, The Magic Flute and, of course, Das Rheingold. By the power of animation!





Oi! Leave Tiny Tim’s cake alone, next we have a date with James MacMillan’s The Sacrifice. It’s not often I can say I was at the World Premiere of anything, let alone an opera, but I was there in 2007 when the curtain went up and down for the very first time on the WNO commissioned opera. Hand on heart I have to say I wasn’t taken with the piece first time around, despite some sterling performances from Christopher Purves and Lisa Milne on the night. In the intervening years my opera going has grown at the same rate as my hair and having coughed up the dough I returned for some more sir, despite my reservations, and I’m glad that I did. It’s still a challenging piece, and you won’t be humming merrily along (I still cringe at the electric guitar bit) but if you like your plots turbulent, and your music atmospheric, then you’ll feel at home with this.





Next up is Bryn Terfel with his new CD, Carols & Christmas Songs. His backing band are the Orchestra of WNO, hence the inclusion on this list. An interesting side note is that the CD – a bilingual affair with English and Welsh versions of some of the same songs – was recorded at BBC Hoddinott Hall in the days following the end of the Meistersinger run. Not sure about the cover though – is it Brie or Gorgonzola?





The penultimate goody on offer is a book celebrating WNO’s 60th anniversary, which came out a few years ago. Full of production photos and reminiscences from WNO staff it’s the kind of book you delve into and go, Ooh – I hope they do that again soon. On an informative tangent those of you who listened to the recent BBC Radio 3 Ariadne broadcast and were trying to imagine the end of the production you can glimpse it on the front cover of the book. Prices vary, and if you’re strapped for cash I suggest heading towards Amazon’s independent sellers, who have taken a significant chunk off the rrp.





And what’s the final object of my pointing? Well, it’s not exactly WNO, but they’ll be appearing during the event next year. It’s the 20th anniversary DVD celebration of BBC Cardiff Singer of the World. Although it was released close to ten years ago, and misses a few of the recent winners, it’s an interesting testament not only to the competition, but also to fashion – ever wondered what Elaine Padmore was wearing in 1983? You get to see the winning performances of each competition, in addition to the Lieder prize winners, strutting their stuffs. In addition to the performances there’s a finely crafted documentary with contributions from the likes of Karita Mattila, Dmitri Hvorostovsky and Bryn Terfel that should get you excited for next year’s event.

And there you are. A small selection of WNO orientated Christmas gifts you may like to buy for a loved one, yourself or for someone you don’t like in the hope that they throw the present back at you. Better use bubble wrap if you’re going for the third option in case you’re near a pavement, a clogged roadside drain or if you have the reactions of an inebriated turtle.

If WNO isn’t your thing perhaps you’d like to invest in a gift starring your local opera company – I’m sure they’d appreciate your attention, and in turn you can appreciate their hard work. And in the same spirit of spreading the love if Amazon are getting too big for your liking Hairman’s Favoured Sellers are Presto Classical, MDT and Europadisc. Adding a bit more mistletoe to this post I thought you’d like to check out the last posting dates involving the wee chappies and chappesses of Royal Mail.


* We all know Gorgeous George is far nicer than Il Duca, and he’ll have better hair as well, so maybe I should have chosen something more fitting for his character. Any ideas?

Wednesday, 17 November 2010

BBC Cardiff Singer of the World 2011 News and Order Form

Photo from BBC

The first concrete example of how the recent Comprehensive Spending Review will affect the arts in Wales has come in the shape of a shrunken BBC Cardiff Singer of the World 2011. The number of contestants for the biannual competition will be at its lowest since the inaugural competition in 1983. Back then the number was a modest eighteen. Next year it will be a slightly less modest twenty. Generally speaking the average number of contestants has hovered around the twenty-four to twenty-five mark. The zenith was a whopping twenty-nine in 1989 – the Battle of the Baritones competition. Although no word has seeped out yet why the number has fallen it would take a fantasist not to believe the financial boa constricting of the BBC by the Conservative / Lib Dem government is the sole reason for such a considerable reduction in numbers.

So what does this mean for everyone concerned?

Quite obviously five singers will miss out on career boosting opportunities to advertise their wares to the many international agents and houses who view CSW as one of the major talent spotting competitions in the world. For singers far from the operatic hubs of London, Vienna, New York CSW has given them an invaluable opportunity to (pardon the pun) make their voices heard. Taking away this opportunity is not only unfair to the singers themselves, but if continued in the long run will take the gleam off the competition itself as some of the biggest successes have come from entrants who didn’t win the competition; Elina Garanca, Anja Kampe, Michael Volle, Marius Kwiecien and Nina Stemme to name a few. One of the reasons why CSW has been such a success is that it includes singers from all parts of the globe, but if finances begin to decline so too will the budget for travelling to hear singers off the beaten track. But it’s hard to see, given the financial straight jacket the BBC finds itself in, the numbers rising above the twenty mark for the considerable future. Hopefully it goes no lower.

What about the audience?

With the smaller number of singers comes the inevitable loss of a preliminary concert; four instead of five for 2011. Not that this has affected the season ticket prices with them remaining more or less at the same level as 2009 - £190, £120, £80 and £50. It has to be pointed out though that unlike 2009 the ticket includes entrance not only for all four preliminary concerts and the main final, but also the Song Prize Final, which was a separate ticket for 2009. This is okay if you like recitals, but not everyone does - so perhaps a fairer option would to have been two season tickets - one at a lesser price for the orchestral concerts, and another for the same price with the Song Prize added on.

To book your season tickets you can follow this link to a downloadable pdf form. Please note that applications are by post only, with orders being processed in February 2011. You can pay by cheque, credit card or you can spread your order over three payments. Booking for separate concerts will take place from the 1st of March onwards in person, by telephone or online.

Best of luck in your ticket ordering, and even bigger best of luck for the fortunate twenty competitors!

In closing this CSW update I would hope that the organisers will see fit to pay tribute, during the 2011 edition, to two figures who did so much to raise the profile of the competition and who have sadly passed away in recent times - founder J Mervyn Williams and late patron Dame Joan Sutherland.


Friday, 12 November 2010

Ariadne auf Naxos on BBC Radio 3 Saturday, 13th of November 6pm


Owen Webb (Harlequin) Gillian Keith (Zerbinetta) (Pictorial presentation Richard H Smith BBC)

Har, har! Avast ye opera lovers! Come circle round this here roarrrrrring fire while I tell ye a tale o’ stereophonic news that’ll have ye setting course f’r BBC Radio 3 t’morrow ev’ntime. Har, har, har, har, har, har, har-har-har-har!

The cap’n o’ the fair ship BBC Radio 3 has set the ship’s sails in search o’ a desert island called Naxos, that be in’abited by a fair damsel call’d Ariadne. T’arrive at this fair damsels shores ye need to tune in at 6pm UK time so ye can board the ship WNO with cap’n Baton Rouge Koenigs at the helm with ‘is fine crew the WNO orchestra. Paying their way be Sarah Connolly, Gillian Keith an’ Orla Boylan with Ricardo Tamura up in the crow’s nest. I did shiver me timbers with this lot in the ten month o’ this year! It awlso be a mystikal appointment as ye can ‘ear it f’r a whole sev’n o God’s days aft’r the show on i-Player.

Fare thee well me hearties! But look out f’r me parrot Polly, she be eatin’ a galley’s worth o’ mints today. Har, har, har, har, har, har, har-har-har-har!

---------- It's an update - hence all this redness and new fontage ----------

In addition to the performance you can also listen to Sarah Connolly, Orla Boylan and WNO’s dramaturg Simon Rees being interviewed by Donald Macleod on the Ariadne page. But hurry up – you only have until Saturday evening to listen to everything before it’s packed away.

Tuesday, 9 November 2010

WNO's Meistersinger Wins TMA Award


Bryn Terfel as Hans Sachs (Catherine Ashmore WSJ)

Awards ceremonies can be funny old things. Just ask Jarvis Cocker or Roberto Benigni...maybe not Mick Fleetwood. Most fair minded people would accept that comparing the artistic merits of books, films, blow drying and tinting is impossible given the variety of tastes on offer to human taste buds. Having sat on some judging panels myself I can now, after fifteen years of reflection, admit that my casting vote for Wagging Tongue’s Salon Conversationalist of the Year 1995 was weighted not for the winner’s patter but because she reminded me of Hope Sandoval of Mazzy Star. But I am just a mere mortal on this spinning, spherical, circular...erm…planet, my dear, dear readers.

Fast forward to 2010.

The place? The Lyric Theatre in Old London Town.

The prize? The TMA Achievement in Opera Award 2010.

The nominees?

Glyndebourne (Billy Budd). Opera North (Ruddigore). WNO (Die Meistersinger von Nürnberg).

Are you feeling tense? Nervous? Heart racing like a pneumatic drill set to Being Chased by Villagers With Torches and Pitchforks Level 8? Are your eyes chewing the screen? Is sweat cascading from your curled hands? Your voice, is it rising rising louder, and louder, and louder as you read this to your colleagues in your office, your parakeet back home or to a carriage full of strangers on your way to / from work?

I’ll get on with it.

And the winner, ladies and gentlemen, is, was...WNO for Die Meistersinger!

Okay, so you probably guessed the result by the very fact I’ve written this post, and while I do take awards with a hefty pinch of salt I can’t deny I was pleased to see Meistersinger recognised in this way. Sadly I wasn’t there to shout out Yes! Yes! Yeeeeeeeeeeeeeeeees! before charging onto the stage, grabbing the award and thanking everyone on the panel for giving me, the opportunity, to thank everyone I had ever met (with the exception of Kevin “The Sand in your Eye Kid”) for inspiring me to win the award for World’s Greatest Ever Blinker.

Fortunately for, WNO, John Fisher was in attendance and he had the following to say...

"This is a great honour…I want to stress that this award has been won by the whole company; it is recognition for every person who works at WNO, and acknowledges their extraordinary commitment in meeting the enormous challenge of performing such a complex and ambitious work. It also highlights again the magnificent cast led by Bryn Terfel, the marvellous conducting of Lothar Koenigs, WNO’s Music Director, and the brilliant production of Richard Jones and his team."
(nabbed from WNO website)